Sounds | King Hannah - Big Swimmer (ft. Sharon Van Etten)
- John Van de Mergel
- 11 mrt 2024
- 2 minuten om te lezen
De nieuwe single van het duo King Hannah laat meteen een brede waaier van de band horen: een ingetogen folk vibe op basis van de prachtige stemmen van Merrick en Van Etten, de vintage rockinvloeden zodra de gitaar wordt ingeplugd en de ritmesectie inzet, het psychedelische gitaarwerk van Whittle tijdens zijn solo. Uitkijken dus naar het nieuwe album, alsook het - nu reeds uitverkochte - optreden in de AB Club dit najaar.
Big Swimmer verschijnt op 31 mei via City Slang / Konkurrent.
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Liverpool duo King Hannah (Hannah Merrick and Craig Whittle)Ā are excited to announceĀ Big Swimmer, due for release on 31stĀ May via City Slang. The record was produced by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius) and finds wide-screen inspiration from the bandās time on the road over the past few years across the US, with stints supporting Kurt Vile and Thurston Moore.
The announcement is accompanied by the stunning album opener and title-track, featuring guest vocals from Sharon Van Etten,Ā who the band connected with when Van Etten posted about their debut single āCrĆØme BrĆ»lĆ©eā. The track opens with a starkly vulnerable vocal, Van Etten and Merrickās voices effortlessly intertwined, gently unravelling the songās gut-punching message ā life is really what you make of it.Ā Ā The second part of the song warms to a rich, rolling ā70ās American folk rock influenced gem, marrying darkness with light and carrying home the final message of āBig Swimmerā ā never stop swimming.
Vocalist Hannah Merrick has to say on the song āĀ āI remember sitting at my desk and the song just came pouring out and the big swimmer metaphor instantly felt right; to never give up on whatever it is youāre swimming hard towards. But I like that it questions the listener too, that whenever youāre faced with something challenging, do you carry on swimming or do you jump out and grab our towel? Thereās no right answer, but it feels empowering and necessary for the record.ā
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FilmedĀ inĀ aĀ localĀ sportsĀ hall,Ā theĀ accompanyingĀ visualĀ featuresĀ HannahĀ walkingĀ aroundĀ an empty space in a red flamenco dress against ocean blue walls. By the time the secondĀ halfĀ ofĀ theĀ songĀ hitsĀ sheĀ hasĀ arrivedĀ toĀ herĀ band,Ā waitingĀ forĀ herĀ atĀ the otherĀ endĀ oftheĀ hallĀ andĀ consistingĀ ofĀ twoĀ smallĀ childrenĀ onĀ guitarsĀ andĀ Craig playing a tiny drum kit. Looking like it was shot on 16mm, the video takes inspiration from the look and feel of Craigās favourite films from the American new wave of the late 60s and 70s.
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