Sounds | L.A. Witch - 777
- Laura B.
- 14 mrt
- 2 minuten om te lezen
Bijgewerkt op: 15 mrt
Na het succes van Play With Fire moesten fans even geduld hebben, maar volgende maand is het eindelijk zover: L.A. Witch komt met een nieuwe plaat, DOGGOD. De komst van dit album wordt aangekondigd met de single ‘777’.
Vergeet een zachte intro of trage opbouw. Enkele drumsticktikken voldoen als waarschuwing voordat deze 777 je meesleurt. Het nummer bevat een vette knipoog naar The Cure en Joy Division, maar klinkt tegelijkertijd eigentijds en fris. Stilzitten is geen optie bij het beluisteren: je krijgt meteen zin om te dansen, te headbangen, of gewoon door je woonkamer te tollen.
De track is moeilijk te definiëren. Garage rock, psychedelica en een vleugje dark wave smelten samen tot een atmosferisch, opgejaagd en gritty geluid. De band windt er in 777 ook geen doekjes om: in 2 minuten 50 wordt verteld wat verteld moet worden.
Een aanrader voor fans van The Cure, Joy Division, Mazzy Star en Drab Majesty.
DOGGOD komt uit op 4 april 2025 via Suicide Squeeze.
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Across the entirety of DOGGOD, L.A. Witch never strays from their muse. On “I Hunt You Pray,” Pai lays down a hypnotic bass throb while English employs a cyclical krautrock groove and Sanchez paints a picture of an abandoned dog on the roadside, alone in the night, living as both the hunter and the hunted.
On “Eyes of Love,” the band harnesses the meditative mid-tempo repetition, deconstructed chords, and esoteric ruminations on love, death, and spirituality that made Lungfish such a beloved entity. It reinforces the parallel between the unwavering love seen in the eyes of a dog and the self-sacrifice of a savior. On “The Lines,” the band takes the propulsive pulse of post-punk and adds an extra dose of chorus to the mix. “Chorus is a modern effect that comes from the idea of replicating the slight pitch discrepancies of a choir. There is a shimmering quality which ties us back into this spiritual godly feel,” Sanchez explains. Coupled with the addition of organ and applied to a brooding minor-key melody, the song simultaneously conjures both the holy and the sacrilegious.
The title track “DOGGOD”bears perhaps the strongest resemblance to the material found on the previous album Play With Fire, pitting lean and mean guitars against a scrappy rhythm section and dreamy vocals. But whereas their previous album was a rallying cry to carving one’s own path, “DOGGOD” adheres to the album’s “til death do us part” theme, going so far as to describe a level of submission that crosses over into dangerous and unhealthy places, with Sanchez singing “hang me on a leash / ‘til I wait for my release.”
Ultimately, DOGGOD is a perfect encapsulation of L.A. Witch’s approach. It’s simultaneously romantic and menacing, reverent and profane, a celebration and a lament. It finds the thread between the past and present, taking familiar sounds and revamping them for the modern age. But it also heralds a new era for the band, looking beyond the Kodachrome memories of midcentury America and digging deeper into the medieval and gothic energies of Paris and beyond, all while probing inward at a sullied heart. Suicide Squeeze is proud to release DOGGOD to the world on April 4, 2025.
