Nieuws | Ziele Klanken (Psalm II) - Amuz

Here are the announcements :

Costin Chioreanu – (Romania) First Time Belgium

Costin Chioreanu’s musical work unfolds like an atmospheric journey where dark ambient, avant‑garde experimentation and metal‑rooted sensibilities merge into a single artistic voice. His solo albums often feel like soundtracks to unseen worlds, blending haunting textures, whispered melodies and cinematic tension. Many of his compositions accompany his own visual art, creating immersive multimedia experiences in which music and imagery breathe together. He also writes soundtracks for exhibitions and films, expanding his palette into narrative‑driven sound design. Collaborations with artists such as Sofia Sarri or Aaron Stainthorpe add new emotional layers to his pieces, while projects like St.Known reveal his philosophical and conceptual side. Whether performing all instruments himself or contributing to experimental ensembles, Chioreanu’s music consistently radiates a deeply personal, introspective atmosphere that blurs the line between sound, vision and storytelling.

The performance is a mind-blowing experience by one of the most acclaimed visual artists in the industry. If you are top drawer at RoadBurn and have an unseen level if trust for Walter, you know what to expect !

Dead Space Chamber Music – (UK) First time BeNeLux (on a non-private stage)

Dead Space Chamber Music is an avant-garde ensemble that blends classical chamber music instrumentation with dark ambient, drone, and experimental soundscapes. The group typically features strings, piano, and unconventional sound sources to create atmospheric, often unsettling compositions that evoke cinematic tension and existential themes. Their work draws comparisons to composers like Arvo Pärt and Ligeti, as well as post-rock and dark ambient artists. The name reflects their aesthetic—exploring the "dead space" between traditional genres and the eerie quietude found in horror and science fiction. They occupy a niche where contemporary classical meets industrial and doom influences. Expect some unique collabs also 😉

It will be a crazy experience, that’s the least I can say

Pantheïst (UK) – First time in this setting

Pantheïst’s musical works revolve around a deeply atmospheric blend of funeral doom and progressive doom, marked by slow, meditative compositions and philosophical themes. Their debut O Solitude established a foundation of solemn, organ‑driven doom, followed by Amartia, which expanded their emotional and conceptual range. With Journey Through Lands Unknown, the band embraced more expansive arrangements, while the self‑titled Pantheist introduced progressive rock, dark‑wave, and new‑wave influences. Later works such as Seeking Infinity returned to their traditional funeral‑doom roots, enriched with touches of neofolk and death‑doom. Their recent albums, including Closer to God and the EP Kings Must Die, continue to refine their introspective, spiritual, and exploratory sound. They will perform in a “stripped” or “condensed” version and will bring in some guest with 1 specific asked by your organizer ...

People may know I have a deep bond with the band and its “Father of Doom” – This will add a less known layer of the excellent musicianship

The Growler’s Choir (Canada) - First Time BeNeLux

Growlers Choir’s work centers on transforming extreme metal vocals into a full choral art form, creating a sound that is both visceral and experimental. Formed in Montréal and composed exclusively of metal growlers, the ensemble blends metal, electronic, and avant‑garde elements into powerful vocal performances that highlight the raw acoustic potential of the human voice. Their pieces—such as the acclaimed “The Dayking,” described as chaotic, ritualistic, and masterfully arranged—showcase a fusion of throat‑singing techniques, spoken‑word elements, and dense vocal textures. Live performances and recordings like X.HATE.MACHINE.X further reveal their ability to craft immersive, otherworldly atmospheres through layered growls, rhythmic patterns, and dramatic staging. Overall, their musical output pushes the boundaries of what a choir can be, merging sensuality and monstrosity into a unique sonic identity. Be ready for a very special experience driven by the master brain Pierre-Luc Senécal. Collaborations are worked on so this will be a ONE OFF !

Finally I will be able to tick the box, this was one of my die hard wishes that finally comes true ....

The Holy Trinity (UK) – First time worldwide with the SECOND interpretations

What shall I say .... They slayed the “Psalm I” in 2025, based on some crazy ideas (in the meantime known by a lot of people, otherwise check https://www.youtube.com/watch?v=FkLj1OEzhaw – made by Costin)

The creations brought in AMUZ were picked-up by a couple of other people in the scene, so they will deliver in 2026 a couple of sets in venues in Germany & the Netherlands. I am extremely proud of the works done by these 3 incredible musicians and even more incredible human beings.

Post “Psalm I”, the discussions started on a “Psalm II”, knowing the level of work they have to put in this concept. They agreed on my humble demand to continue the “Psalms” with The Holy Trinity as the core of the event and so we will bring the complete new interpretations/movements of their own songs

Jo Quail , Mark Deeks & Aaron Stainthorpe. It is the collab of collabs and we will hear other My Dying Bride songs in a different jacket but 1 song will be brought again in this setting : “I almost Loved You”. Some people perhaps saw the beautiful version of Nienke Verboom on YouTube (https://www.youtube.com/watch?v=5B1uRJU_G1M) so expect a duet with the MaStEr himself ...

And that was the idea...... Until somewhere end 2025.....

Towards The Sinister (UK) – First Time ever WorldWide.

Towards the Sinister brings together key architects of My Dying Bride's classic era to celebrate and resurrect the dark, mournful atmosphere that helped define the death-doom genre.

The line-up features Aaron Stainthorpe, founding members Calvin Robertshaw and Rick Miah, and original bassist Adrian Jackson, performing material drawn primarily from the band's seminal early releases including As The Flower Withers,

Turn Loose The Swans, The Angel and the Dark River and Like Gods of the Sun.

It is a rare opportunity to witness the musicians who helped create this music returning to the songs that established My Dying Bride as one of the most influential and enduring names in gothic doom metal.

All the love, see you somewhere around, take care of yourself and your beloved

Info en tickets

Zaterdag 20 februari, Amuz, Antwerpen